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1984
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1984
"Wrap It Up," Flatrocks Gallery, Gloucester, MA
Flatrocks Gallery, Gloucester, MA (3 person show)
Firehouse Gallery, Newburyport, Massachusetts
Tavern Club, Boston, Massachusetts
“Italian Influence”, Soprafina Gallery, Boston, Massachusetts
Soprafina Gallery, Boston, Massachusetts (two-person show)
Soprafina Gallery, Boston, Massachusetts (two-person show)
Soprafina Gallery, Somerville, Massachusetts (two-person show)
Crosstown Arts, Boston, Massachusetts
Barbara Singer Fine Arts, Cambridge, Massachusetts.
Society of Saint John the Evangelist, Cambridge, Massachusetts.
Gallery 57, Cambridge Arts Council, Cambridge, Massachusetts.
Mather Gallery, Case Western Reserve University, Cleveland, Ohio (two-person show).
Lowry Center, College of Wooster, Wooster, Ohio.
William Busta Gallery, Cleveland, Ohio.
Fine Art Asociation, Willoughby, Ohio.
“Twin Perspectives,” FAVA (Firelands Association for the Visual Arts), Oberlin, Ohio (two-person show).
Health Center Gallery, University of Massachusetts, Amherst.
“River Images,” Porter-Phelps-Huntington Foundation, Hadley, Massachusetts
“Printmakers,” Pingree Gallery, South Hamilton, Masssachusetts (two-person show)
REVIEWS
Art New England, February/March 2008: “Peggy Badenhausen: New Paintings,” by Alicia Faxon.
The Boston Globe, March 15, 2007: “Galleries” by Cate McQuaid.
Art New England, Feb-March 2006, “Beyond the Categories: A Paint/Print Dialogue,” by Meredith Fife Day.
Big Red and Shiny: An Arts Journal for Boston, Cambridge, and Beyond, Issue #28, “’Hidden in Plain Sight @ Brickbottom,’”
by Anneka Lenssen (http://www.bigredandshiny.com, consulted October 16 2005)
Proof in Print: A Community of Printmaking Studios, ed. Sinclair Hitchings and Dorothy Thompson (Boston:Boston Public Library, 2000). Contemporary Impressions, vol. 8 (Spring 2000): “Variation and Continuity: The Workshop Portfolios,” by K. E. Duffin.
The Boston Globe, July 29, 1999: “Galleries” by Cate McQuaid.
The Plain Dealer, January 18, 1991: “Interview with Peggy Badenhausen,” by John Apley.
PUBLICATIONS
Singular and Serial: Contemporary Monotype and Monoprint, Catherine Kernan & E. Ashley Rooney, 2019
Album Cover, 6 Concertos, by Thomas Oboe Lee, 2013, Boston Modern Orchestra Project, BMOP sound.
Catalogue entry, ReThink INK: 25 Years at the Mixit Print Studio, Mixit Print Studio (Somerville, Massachusetts, 2013).
2 prints used as illustrations, Thomas Forrest Kelly, Music Then and Now (New York: W.W. Norton, 2013).